I whipped this up tonight giving you some pics and some info about basic stuff like ebay triggers and so on.
ask any lighting questions here and if i can answer them i will
ok lets get into it.....
1.
This is your basic bracket. It come form http://www.bhphotovideo.com/ and cost around $15au.

It has two screw thumbs on each end to put over the head of the light stand and one for the flash shoe or cold shoe which you flash will sit in.


It also has a hole with a thumb screw to hold an umbrella in place.

2
Ok this is your basic setup. A flash (430ex) mounted on a bracket on a light stand. Now this setup would be used if you had an ST-E2 transmitter, which is a infra-red transmitter that you place on your cameras hot-shoe and it will transmit via infra-red to the flash.

3
Now heres an ebay flash trigger setup (the advertised way of doing it). You place your flash on top of the receiver and then the receiver on your tripod or light stand head or bracket whatever pleases you. I do not recommend this for as the receivers adjustable foot is flimsy as all sh*t. If your outside and it gets windy and you get some sway happening it might snap and your flash comes falling to the ground (not good). Another scenario could be if someone bumped your light stand same thing could happen.



Heres how to fix it. Now im using one of my Nikon flashes as the flash models i have all have a pc sync which i will talk about soon. To fix this problem you can, IF your flash has some sort of sync port you can run a cord from you flash to your receivers pc sync jack. Some manual flashes like the Vivitar 285hv come with this cord. so all you do is buy your ebay tiggers and plug everything together put your transmitter on your hot-shoe and away you go. So to fix the problem you run your cord form receiver to flash and that way your flash hot-shoe is free, so all you do is mount your flash onto the brackets cold shoe, tighten the thumb screw and bango your done . The pc sync jack can be found on some camera bodies like the 30d and others. It allows you to plug basically any cord the runs to a studio strobe or camera flash.




4
Another way to trigger your flashes is via Optical Slave. With optical slaves work via light, (i cant explain for sh*t) you have to have another flash firing for the optical slave to pick up that light and fire the flash on top of it. So you could have a speedlite mounted on your hot-shoe firing and then the optical slave would fire at the same time. I dont reccomend this as other people can fire you flashes as much as they want


5
Gobo- A gobo is a flat piece of anything you want that you stick or velcro to a side of your flash to flag off unwanted light from say a backdrop or when you are using flash behind a model as rim light you dont get lens flare. I made mine with cardboard and velcro and some balck paint which is coming off


6
Snoot- A snoot is a round piece of anything you want which you wrap around your flash head to to direct light and keep control on any light you dont want. It is a BIG help when shooting product shots or small things. I made mine with some plastic thing i ripped out of a school book, i placed some velcro on it to stick it to my flash head and it works like a charm.

7
Gels- Another reason for all the velcro on my flash heads is for gels. I use Rosco Gels which cost me all of $0.01us (they go really quick so most of the time bh are out of stock, i bought like 50 of these and distributed them to a friend. I have so many that i dont use. You place them infront of your flash and you get cool colour effects and more importantly use them for colour correction with white balance issues.


And thats about it for now, ill post up some more stuff another time. Hope it helps and please ask any lighting questions in here, and questions about gear.
oh and heres a setup shot

Tyson